Since 2018, Gobardhan has been exploring the concept of feminine power and how it is shaped by social and cultural norms. In her solo Mātā (2018), she focused on the personal meaning of feminine strength, influenced by societal and cultural norms rooted in the Netherlands’ patriarchal past. She drew inspiration from the goddess Durgā, a warrior against negative forces who embodies both fierce combativeness and maternal protection. With Kālī Mātā (2022), Gobardhan expanded her research to the eternal, universal feminine power—a struggle that evolves into complete surrender, allowing opposites to merge. In STRĪ (2023), Gobardhan moves entirely beyond the personal. Surrender creates a boundless space in which the universal feminine power can freely manifest. This group choreography features three dancers exploring a collective feminine energy. The natural evolution of Gobardhan’s artistic practice lies in her continued exploration of feminine power and how it relates to broader societal and cultural norms.