Lorin Sookool / Buhle Ngaba
Afrovibes: Double bill: Cash Cow / Black

Lorin Sookool / Buhle Ngaba
Afrovibes: Double bill: Cash Cow / Black

Lorin Sookool / Buhle Ngaba
Afrovibes: Double bill: Cash Cow / Black

Lorin Sookool / Buhle Ngaba
Afrovibes: Double bill: Cash Cow / Black

This performance is part of the Afrovibes Festival. This annual festival brings dance, theatre and music performances by makers from Africa and the African diaspora to the Netherlands and brings them together. They give shape to current questions that live there and with us and have a unique vision on them. This year's theme is heritage. The makers show how they experience the current zeitgeist and their cultural heritage. They wonder what we can learn from the past about courage, ethics, solid strength. And about the tension between old African rituals and modern greed. What do we leave for the generations after us?
Spain, Ivory Coast 2020 /30 min
Violence, emancipation, pain and self-empowerment highlight the reality of being black in today's world. In Black, Ivorian choreographer and dancer Oulouy embodies the struggle for recognition, equality and respect of black people. According to him, these concepts are stored as memories in his own body, which he uses to confront and move. He does this with several major urban streetdance styles of Africa and the African diaspora in the USA: Coupé-Décalé, Azonto, Ndomboló, Afrohouse and Krump, supported with appropriate music. With all these styles, he depicts the history of the freedom movement.
In his varied performance, he regularly refers to important and recent events such as the #blacklivesmatter movement. In doing so, he creates unrest and discomfort, but also the potential to influence the world. In short: an empowering performance about overcoming injustice, oppression and discrimination.
Trigger warning: This performance includes audio and visual material of police violence and racial injustice. This content may be triggering for people affected by that.

Cash Cow
South-Africa 2024 / 25 min
In an intriguing dance and theatre solo, performer Sookool exposes the cruelty in which we often use sentient beings for our consumption. She does this by imagining herself as a cow waiting to be slaughtered. She makes the connection with the female body that is equally often used for consumption. With humour, discomfort and engaging the audience, she reflects on capitalism and asks whether the post-colonial expectations of the African dance body can change.

Credits
Black:
Choreography & performance: Oulouy
Light: Manuel Ordenavia
Cash Cow: