SPRING: All Watched Over by Machines of Loving Grace

Machines, medicine, algorithms: many new technologies seem aimed at social control or the disciplining of labour, rather than giving us new forms of freedom. Does this mean Brautigan’s dream is dead? Are we already living in a totally perverted realisation of it? Or does the freedom promised in his dream still hold potential? 

The performance oscillates between utopia and scepticism, between ecstasy and disillusionment: we see a “cybernetic ecology” in which it is not always clear whether the entanglements between people, materials and devices are symbiotic or conflictual. The light seems to want to deceive and hypnotise, the music asks us to trust and let go. The question is not whether we are entangled, but how we suffer, dance and waver within the entanglement.

At last I am free, I can hardly see in front of me!

Concept, lighting and scenography - Ezra Veldhuis & Bosse Provoost Choreography - Nathan Ooms, Bosse Provoost, Ezra Veldhuis Performers - Estefanía Álvarez Ramírez, Jayson Batut, Nathan Ooms Costume design & objects - Carly Rae Heathcote Sound design - Benne Dousselaere Execution set - Sibran Sampers Technical coordination - Wim Bernaers Outside eye - Marc Vanrunxt  Internship dramaturgy - Cesar Vromman Production - Hiros Co-production - C-TAKT, NEXT Festival, auawirleben Festival, Kunstenwerkplaats, SPRING Performing Arts Festival, CAMPO, Per Podium, Kraagsteen With the support of - Kunstencentrum BUDA, De Grote Post, Le Bamp, STUK, Kunst/Werk, Stad Gent, the Flemish government, taxshelter of the Belgian Federal Government via Ufund