An eye twitches.
A small bodily glitch.
A system error in the everyday —
and the world slips out of balance.
And If I Could K!ll is a refusal of fixed ways of seeing. It explores the entangled politics of revenge, revolt, and warfare as lived, embodied forces — systems that enter the body, shape it, discipline it and eventually begin to unravel through it. Moving across Germany, the Netherlands, Indonesia, and West Papua, the piece traces overlapping histories, bleeding borders, and fractured timelines. Binary categories begin to fail: good or evil, victim or perpetrator, order or chaos no longer hold. There is no safe position. No innocent gaze. Everything obvious shudders in the blink of a twitching eye.
And If I Could K!ll invites you to an unstable zone beyond moral comfort — a space that refuses easy answers, where pleasure and seduction flirt with terror and danger, where stable meaning can be unsettled at any moment, and destruction allows for something new to arise. It asks us to bear witness: What happens when systems fail — and the body keeps going?
Content notes:
The use of (fake) guns
The engagement with the gun was accompanied by a closely guided process with the young performer.
Soraya Reichl is a theatre maker, performer, curator, educator, and political organizer, based in Berlin and Amsterdam. Her artistic practice is rooted in collective spaces of care, concern and pleasure. In times of ongoing crises, she commits to telling stories that resist erasure and treats imagination as a site of political force. She is drawn to zones where pleasure meets danger — where the body vibrates with both risk and possibility. Her work takes different forms, including public interventions, audio-walk performances, black box pieces, installations and workshops. Any space that invites us to relate, create trouble and wrestle with the world together, is where she wants to be.
Soraya’s work has been presented at Sophiensæle, Haus der Berliner Festspiele, and Theater an der Parkaue in Berlin. As a performer, she has taken part in multiple productions at the Maxim Gorki Theater.

About ENTER Festival
ENTER is the national graduation festival (and, to some extent, also for Belgium) of Ensemble Nieuwe Theaterwerkers. It is a graduation festival by and for emerging theatre makers. Every year, we facilitate encounters between graduating theatre makers, one another, audiences, and the professional field. Each edition takes place in a different location across the country, because the cultural sector has no single centre. We started in Amsterdam in 2023, moved to The Hague in 2024, headed to Groningen in 2025, and in 2026 we will land in Utrecht!
ENTER is a place to discover who your graduating cohort is and what defines you as a generation. It is a place to encounter each other’s work, inspirations, and artistic visions. It is a place to build a new network with people you may end up working with for years to come. It is a place for a (first) meeting with professionals from the field. It is a place to remind you that there is a professional world waiting for you. It is a place to celebrate the end of your time in school together with your fellow graduates in unforgettable fashion.
ENTER is both a farewell party and a housewarming.














